Tuesday, March 27, 2012

Foot Notes


Some of you may have been wondering what ever happened to the Alternate Side Parker’s right foot. Did it ever heal? Or did she Google her foot surgeon after the fact and discover that he was a barbaric quack? What sort of alternative therapies did she seek for chronic irritability due to minor foot pain? What finally worked?

Answers: Sort of. Yes. Acupuncture. Herein lies a tale.

I did not go out to the bungalow much this winter, though it was so mild. My neighbors, after scaring me last fall by acquiring a car of their own, sent that car back (it had a rusty underbelly) and kept the Éclair, using it to take their little boy to nursery school, thus continuing our winter long-distance valet-parking arrangement. The last time I saw the car was when I got my winter coat out of storage, in the trunk, in December. That day, I puttered around the house for a few hours—my friend C. had come out with me—and only when I was leaving, after I had potted up the last of the tulip bulbs and put the padlock on the door to the back porch, and had come around to insert the hook into the eye on the inside of the porch door, for added security, did I notice that there was a hook, but there weren’t no eye. Just then, C. put her hand to the screen next to the door and lifted it like a flap. Security had been breached.

Because I am always trying to stretch the season, I hadn’t completely closed up the house, which means locking the windows by the rather primitive method of sticking nails through the frames. So anyone who gained access to the porch would be able to open the windows and climb in. I accosted a neighbor and asked him if he’d noticed anyone in my bungalow, and he said, with maddening casualness, “Oh, yeah.” Another neighbor had noticed it, too, he said, but they didn’t have my phone number, so they didn’t do anything. This neighbor, whom I call Pee-wee, and to whom I now reluctantly divulged my phone number, is the kind of guy who, when you take an old falling-apart grill that belonged to your neighbor on the other side who got evicted and that you were tired of looking at and put out on the street for the garbagemen, retrieves said grill and hauls it back and installs it on the other side of the house, where you get to look at it some more. Once, last summer, I heard someone calling my name and went to the door to find Pee-wee, on his bicycle, the basket full of pesticides—partially used spritzers of aphid poison, etc.—that he had scavenged and that he now offered to me like a door-to-door salesman: "Ma'am, can I interest you in these perfectly good insecticides?" And I accepted! So now I am indebted to my neighbor for an unwanted arsenal of bug poison. What was I thinking?

But I digress … The stapler, of course, picked that moment to run out of staples, and it was not immediately clear how to replenish them—at least, not to me and not to Pee-wee—but while Pee-wee went home to get his own stapler, C. read the directions, inserted fresh staples, and calmly reattached the screen to the porch frame. I fretted and went around with a paper cup of rusty nails to drive through the window frames, and made sure nothing was missing (there is not much in the bungalow worth taking), and that no one had slept in my bed or defiled my space with empty Budweiser cans. I had, after all, been in the house for at least two hours without noticing anything wrong, so if there was a squatter at least he was a highly respectful one.

It was only when we were on our way back to Manhattan that I realized the upside of the situation: it was not that I had engendered good karma by giving shelter to the Bodhisattva on a rainy day but that for several hours after the squatter, in the crazed effort to secure the place with staples and fishing line, I completely forgot to remember that there had ever been anything wrong with my foot.

(Cartoon by Joe Dator; The New Yorker, February 13, 2012.)

Monday, March 19, 2012

A Tale of Two Spots



I went to see the 9/11 Memorial with a friend over the weekend. Admission is free, but you have to reserve tickets in advance and show up at the appointed time. Our time was ten-thirty on Sunday, March 18th.

My friend had driven down from Massachusetts and was willing to give up her parking spot to take the car to the financial district. “How likely are we to find a parking spot down there?” she asked. I honestly had no idea. My friends think I know my way around, and although I used to live in the financial district, I have not tried to park there since the day I moved here from Vermont in my Plymouth Fury II.

It didn’t begin well. The Google map I had printed out did not reflect any of the street closings surrounding the construction of the new World Trade Center or the changing traffic patterns of the Bloomberg administration, a circumstance that was complicated by my deep skepticism and resistance to authority, so that if a sign saying “Chambers St. Detour—Broadway, Brooklyn Bridge” had an arrow pointing left, I said "Turn right." After many thwarted byways, we followed the detour and eventually found an amazing parking spot on Cortlandt Street, right in front of Century 21. Too bad we weren't shopping for underwear.

We passed Zuccotti Park, which was conspicuously empty and being power-washed, and walked to the southeast rim of the construction site. It hadn’t occurred to me until just that morning that security would necessarily be tight at the site, and sure enough: it was just like an airport, only you didn’t have to take your shoes off—the maze and the trays and the conveyor belts, X rays, and metal detectors, ending in a chaotic bottleneck. Once we were out on the open field, there was still a tendency of the people to move straight ahead in a column.

As you approach the memorial, you see a big square pit of a waterfall in the “footprint” of one of the towers: water combs down four walls into a pool and then pours into a center well, which is black and apparently without bottom. It is an image of heartbreak. The names of the dead are carved in the stone around the edges, and you can put your hand under the slab into the water. It was a gray morning, so the elements—the sky, the stone, the water—were gray and black and silver. An identical fountain (but with other names) occupies the footprint of the other tower. There is also a building containing old beams from the Twin Towers. It is designed to look shattered.

Neither my friend nor I had lost anyone on 9/11. I’m not even sure why I wanted to go down there. It was impossible not to be moved by the falling water and the sense of loss and the thousands of names engraved in stone. After slowly walking the rims of both fountains and running our hands over the names, we found our way out.

I was completely turned around. “Is that where I said the Hudson was?” I asked. Back in the car, I thought we were headed north when we were going east, following that damned detour again, along Chambers Street and over the Brooklyn Bridge to Atlantic Avenue and Washington Avenue, which runs alongside the Brooklyn Botanical Garden, and where we scored a generous parking spot amid daffodils and winter honeysuckle, and saw an apricot tree in bloom on our way to the magnolias—saucer magnolias, star magnolias, hybrids, white-white, creamy-white, pale pink, vivid pink, yellowish, with that wonderful thick flesh and that faint perfume you don’t catch until you’re at the end of a very deep breath.

Friday, March 16, 2012

Shoupistas

Friday's Times had a front-page piece about parking in San Francisco, featuring our friend Donald Shoup, the parking professor at U.C.L.A. He starts one chapter of his book, "The High Cost of Free Parking," by quoting George Costanza, who, like many of us, felt it was his birthright to park for free. Professor Shoup says that, in the great scheme of things, there is no such thing as a free parking spot. His idea is that the more a metered space costs, the sooner a driver will leave it, making it available for the next guy. The most expensive metered parking spots on the streets of San Francisco cost $4.50 an hour. (On my block in New York it's $3 an hour.) The city has embedded sensors in the streets to track the popularity and availability of parking spots. Professor Shoup envisions a parking utopia, with all the revenue from the meters going toward maintenance of the streets the meters are on and improvements in public transportation.

I looked for Professor Shoup on Facebook, seeking to "like" him, but what came up was a YouTube video of the Professor, looking all tweedy, with a bow tie and a beard, cycling the campus like Mr. Chips. What an odd academic subspecialty: parking theory. And yet how admirable: here is a guy who not only does not pay for parking but makes parking pay him. I suppose I should break down and buy his book to keep in the car in case of emergency—that is, in case I am sitting in the car on an alternate-side morning with nothing to read. But somehow by buying the book (a textbook, which costs anywhere from $29 to $60) I would be spending money on parking and thereby demonstrating the truth of the Professor's theories. This guy is a genius.

Wednesday, March 14, 2012

Second Cousins



I recently posted a piece on the New Yorker Web site in which I recycled a photo from the family reunion, on the occasion of my cousin Dennis Kucinich's loss of his seat in the House of Representatives. (Here is the link.) I also recycled a mistake in the nature of my kinship with Dennis Kucinich. and here is the correction: Dennis Kucinich, shown here with Baby Dee at the family reunion in 2009, is my father's first cousin once removed and my second cousin.

Various cousins have tried to impress this on me over the years, and I hope I finally have it right. I don't know how to work in the fact that my father and Dennis's mother were double cousins without sounding kinky.

With thanks to Nancy Saegel and Mary Ellen Nowel (both first cousins), and abiding affection for Dennis Kucinich, even though he deleted my post on his Facebook page.

Monday, March 12, 2012

Busted

Scene: Bike Lane on Sixth Avenue between 33rd and 34th Streets, Monday, March 12th, 10:15 A.M.

Bicycle Cop (gliding up alongside citizen on bicycle): Ma’am, what color was that light back there?

Bicyclist: Um, red?

BC (exasperatedly): What are we going to do? You know, there’s a fine for that.

B (sheepish, lowering head onto handlebars): If I promise never to do it again?

BC: I don’t understand. You stopped, and then you went through it anyway.

B (brightly): I let all the pedestrians pass, and there were no cars turning, so . . .

BC (sternly): The fine is $240. I don’t know about you, but I don’t have that kind of money to give to the City of New York.

Bicyclist maintains silence.

Cop pedals away.

Moral: Take Madison Avenue.

Friday, February 24, 2012

The End of the Cleaning Lady

Last Friday night, I anticipated coming home to a nice clean apartment. It was my birthday month (I’ve gone from celebrating my actual date of birth to my birthday weekend to my birthday week and now my birthday season), and in a fit of self-indulgence I had called the cleaning lady. I thought the extravagance was justified because I had a cold and was expecting guests. That morning, I had scurried around, cleaning for the cleaning lady: I folded clothes, squared away shoes, weeded the dead roses out of my magnificent birthday bouquet. I cleaned the cat box and washed the breakfast dishes. I stopped short of folding the bath towels, tossing them onto a bathroom shelf and, perversely, leaving one in a heap on a bureau in the hall. I left the bathroom sink smudged (the super had fixed the cold-water tap the day before) and did not bother to sweep up the rose petals on the kitchen floor. The cleaning lady had to have something to do.

I am no good at having a cleaning lady. For a while it was all right: she came every other week, I left her eighty dollars, and when I got home after work the eighty dollars was gone and everything looked neat and burnished. But then I’d reach for the paring knife, or fumble for the bathtub plug, or grope for the lion notepad next to my desk, and nothing would be where it was supposed to be. The cleaning lady had her own ideas of where things should go. She'd toss flowers that I was not yet ready to part with. She recycled newspapers I was keeping for a friend who burns the Times in her wood stove. She threw away the extra bottle of diluted dishwashing detergent that I keep for washing my eyeglasses. Grrrr ... Whenever something went missing, I blamed the cleaning lady.

Then, she replicated herself: she started turning up with her sister-in-law. Now I had two Peruvian cleaning ladies, so I felt I had to pay them both—not twice as much (I’m not that gullible) but something extra every time. It was impossible to negotiate either the amount or the doppelganger, because of the language barrier. (Her English is highly selective.) My strategy was to get out of the house before the cleaning lady (or ladies) arrived, so that I could in good conscience leave money for only one.

So I open the door when I get home and . . . That’s odd: the rumpled towel is still on the bureau in the hallway. Well, maybe the cleaning lady thought I wanted it there. Also the newspapers are still piled in front of the closet door. But that's O.K., because my friend with the wood stove is visiting from Massachusetts. Then I turn on the light in the living room and see the money on the table and I know for sure: the cleaning lady didn't come. So I scour the bathroom sink and sweep the kitchen floor—it doesn't take very long—alternately counting my blessings (I still have my diluted dish detergent) and cursing the cleaning lady (there's a penny stuck to the kitchen counter that I was counting on her to pry off). The place looks fine, at least by lamplight. The cleaning lady has trained me to do most of the work myself.

My friend from New Hampshire arrived a few hours later and parked in front of my building. We would have to get up at 7:30 in the morning to move the car, which did not sound like a fun way to start a Saturday, so we made a midnight foray to see if we could do better. At the end of the block are two spots in a school zone (the sign says No Parking 7 AM to 4 PM School Days), and the spot nearer the crosswalk was vacant. The doorman came out to congratulate us and make sure we knew that we were good till Monday. We were way ahead of him: Monday was Presidents Day, and school was out, so we were actually good till Tuesday. High five!

I called the cleaning lady on Saturday, to make sure she was O.K. She was fine—she just thought I’d wanted her to come the next Friday, which was now “this” Friday. It was hopeless to say that I had expected her yesterday; I could hear her thinking, How can I come yesterday if it is already today? She persisted in saying she would come "this Friday." I repeated that I would not need her this Friday, because I would have time over the weekend to clean the place myself. She was very sorry.

My friend from Massachusetts arrived on Sunday and found a spot in front of my building that would be good until eight on Monday (for MuniMeters, Presidents Day was just another Monday). The idea was that when New Hampshire left, Massachusetts could pull into her spot. But New Hampshire was not to be pressured (Live Free or Die!). This potential source of tension between the states evaporated when we went out on Sunday afternoon and saw that the car behind New Hampshire was gone, and Massachusetts could move into the school zone. Double high five! The two best parking spots on the block, and we had them. Plus a hundred dollars that I didn’t have to pay the cleaning lady.


I couldn't get a good picture of my friends' cars in their holiday parking spots, so here is a picture of me as Mr. Dick (from "David Copperfield") on Charles Dickens' (and my) birthday. I can't imagine why it never occurred to me before to go to a party in drag.

Thursday, December 29, 2011

In Den Haag



The venue for Baby Dee’s show on December 17th in den Haag (which in English we call The Hague, and is much easier to pronounce than the Dutch) was Paard van Troje (Trojan Horse), site of the State X–New Forms Festival. I have been trying all this time to figure out why it is called Paard van Troje . . . The entrance is deceptive: you go up a flight of stairs to what looks like a grand old town house on Prinsengracht, a wide street with a trolley running along it, knock on the door, and nobody answers. (I was early.) I entered through the stage door, around the corner, and was led down a hall and through a door and along a ramp behind a screen, on the other side of which was … Baby Dee!

Dee and the band were in the midst of their sound check. For this gig, Dee had reassembled some of the musicians who played with her at the Holland Festival, two years ago: the drummer Alex Neilsen, from Glasgow, and the bassist Joe Carvell, from Coventry, as well as the cellist Matthew Robinson, who had come from Brooklyn earlier that week and rehearsed with Dee in Rotterdam. (Dee will do a show in Rotterdam on January 24th, which will include an exhibit of work by Christina de Vos, who did the wonderful snail paintings for “Regifted Light.”) The performance space at the Trojan Horse was decorated with white tuffets that looked like big marshmallows and smaller black tuffets that looked like licorice Dots. There were also black and white dots on the floor. Dee lamented that she had not worn her Dalmatian pants. There was a piano at stage right and the harp at stage left. Dee’s inestimably valuable friend and producer Richard Guy, of Tin Angel, had driven all the way from Coventry with the harp and the bass.

Dee was not playing till 11 P.M. I had thought we would explore den Haag and have dinner somewhere before the show (den Haag was cute; I especially liked the garden houses that I saw from the train on the way there, and the outdoor cafés featuring tiny braziers in glass cases), but the festival organizers had other ideas, and the musicians and their friends were escorted across the street to an upper room, where caterers had set up a buffet. Afterward, we kept Dee company in her dressing room upstairs at the Paard van Troje: Christina, her friends Hans and Marleen (who maintains Dee’s Web site), Matthew, Rich, and me. Dee was sharing the dressing room with Jóhann Jóhannsson, whose group the Apparat Organ Quartet, from Iceland, plays all sorts of organs, really LOUD. Dee did her makeup at a mirror surrounded by light bulbs. She drew on eyebrows. She put on blush from a kit with a tiny brush. She sprayed stuff in her hair, brushed it upside down, teased it a little, and, still upside down, drew it up with a comb on either side: when she stood, her hair looked like the fabulous red plumage of some mythological bird.

“I’m going to struggle into my outfit,” Dee said. Baby Dee has lately been taken up by the fashion world—before leaving Europe, she would be playing at a party for Fiorucci, in Milan—and her outfit consisted of layers and layers of dyed tutus and a pair of velvety black high heels. “Rotterdam,” she said, showing them off. She also had a new hot-pink fake-fur hooded jacket, made for her by Christina’s mom, Anneliese de Vos, a.k.a. Mrs. Foxy. It literally stops traffic—at least bicycle traffic (remember, we were in Holland).

“Do you have a set list?” I asked.

“A set list!” Dee said. I tore a few sheets out of a notebook and gave her a pencil, and she consulted with Rich about what to play. She would start with the accordion, then go to the piano and do “Brother Slug and Sister Snail,” finishing with "The Pie Song," before moving to the harp to do a set-within-the-set with Matthew on the cello, and then go back to the piano. She included several songs from “Safe Inside the Day,” because “people like them,” she said. She decided against some longer ones from “A Book of Songs for Anne Marie,” because the set could last only an hour. She was going to end with “The Earlie King,” and I had to bite my tongue, because that’s a scary song, and I have a weakness for the silly, stupid songs, but nobody asked me, and "The Earlie King" is a great song, certainly one of the best on the new live CD, “Baby Dee Goes Down to Amsterdam,” which was for sale in the lobby. (It sold out.)

Showtime! More friends of Christina’s had arrived, and my friend Ella, from Amsterdam, came with her niece, and we all perched on tuffets. Dee entered in her tutu and heels, and played a beautiful show. The set list had evolved until the last minute. I realized that Dee’s choice of instruments (bass, cello, drums) brings out the darkness in her music, though the drummer, Alex, has a wonderful feathery touch. The audience grew as she played; we had to move our tuffets to make room behind us. The sound system was great—very sensitive—and so was the lighting, from big aluminum cones, like outsized reading lamps. Dee played an encore, ending with “Teeth Are the Only Bones That Show,” and made her exit in her stocking feet, then came back to reclaim her shoes. (She had to take them off to work the pedals on the harp.) By the finish, her hair had shaken loose and she looked gorgeous.

When it was over, we partied until the wee hours, first in the Trojan Horse and then in the hotel, and the next day we all went down to Amsterdam.

Thanks to Marcel Musters (above, with Dee and me) for letting us stay in his place, and for the video shown here (shot in New York on Christmas Day). Here are some pictures taken by the official photographer for the festival (note Nos. 20-25).



Happy New Year! And Happy Birthday to Dee!